When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. Many beat producers like to https://music-lofi-jazz71481.blog4youth.com/31783692/5-elementos-essenciais-para-lo-fi-headbang